ARTIST STATEMENT

I create large-scale cinematic contact sheets from single rolls of 35mm film, transforming raw sequential frames into complete narrative artworks that explore the emotional residue of places and moments history passes too quickly. Working exclusively in analog, I embrace grain, color, and texture to slow time, revealing dignity in an empty street, weight in a neon sign, and memory in light itself.

These works form fragments of a larger ten-part anthology reimagining twentieth-century America through forgotten lives — ordinary men and women navigating love, race, class, and duty against the backdrop of a country in constant tension with itself. Each chapter is shot on a single roll of film, a deliberate constraint that mirrors the intimacy and limitation of memory. Each contact sheet stands as both a standalone immersive piece and part of an ongoing story about what we inherit, and what we carry forward without knowing it.